I hope this doesn’t have to become a regular series.
Here’s a quick look at some headlines from the past week from sources outside of the “East Village”:
So, how is this being presented in the “East Village” you ask?:
La Mama, via DNA Info
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A musical about current events is not necessarily a bad thing. The San Francisco Mime Troupe had a musical called Steeltown, about the rise and fall of steel-worker jobs in this country. And while searching other blogs for this piece, I came across something The Lo-Down wrote last January about The Living Theater’s performance of “Here We Are” (from their promotional material):
In the show, the international (and multi-generational) company “visits the Anarchist collectives of France, Spain and Ukraine [Emphasis mine–Q] for the 19th and 20th centuries, and finds (them)selves transported to an immersive and participatory underground outdoor/indoor crossroads of our present moment. The ensemble and the audience work together to manufacture and perform the potential creative possibilities for a post revolutionary world of beauty and non violence.”
Of course, that’s not what this performance is about.
And then! In a flash of total-recall, I totally recalled this, from an EV Grieve piece written last January:
Socialist post-modernism? It’s fine to dislike Avalon buildings, but to throw in “socialist”, when socialism had absolutely nothing to do with the topic (1st meeting of the No 7-Eleven group), makes his position then, and now, all the more suspect. Interestingly enough, this was written at the same time of the performance of “Here We Are”.
† After a ten-year (?) hiatus, The Shadow recently published a new issue. I meant to write something about it but I haven’t got around to it yet. I even paid a dollar for the paper! I don’t remember ever having to pay for The Shadow before.